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A billion journeys home

In early February the Spring Festival travel season begins again, and for a few weeks the country performs its annual act of collective logistics: hundreds of millions of people moving at once, toward the same word, home. A short essay on what the migration reveals about the country that stages it.

Every year, in the weeks around the Spring Festival, the country performs an act of collective logistics with no real equivalent anywhere else: hundreds of millions of people travel at the same time, in the same direction, for the same reason. The official name is the Spring Festival travel rush, and its scale is routinely described in numbers so large that they lose meaning, the way a census loses meaning. Behind the numbers is a simpler fact. For a few weeks, the normal rules of the calendar are suspended, and the entire country reorganises itself around one destination, which is home.

The migration is a product of a very specific economic history. For three decades the fastest route to opportunity ran through the cities, and the cities filled with people whose families stayed behind: parents in the towns, children with grandparents, the whole network of care and memory distributed across provinces. The distance between where work is and where life is became a permanent feature of the landscape, and the travel rush is the annual negotiation of that distance. It is not a vacation pattern. It is the maintenance contract for a social arrangement that the rest of the year keeps separate.

Watching the coverage each year, one is struck by how much of the rush is a triumph of systems rather than of individuals. The high-speed rail network, the overnight bus fleets, the motorbike caravans, the thousands of added flights: all of it exists because the demand is predictable, and the predictability is the miracle. A society that manages to move a large fraction of its population home for one week, every year, without a single year of systemic collapse, has built something remarkable, and the fact that it is routine makes it invisible. It is only when one imagines the same movement in almost any other country that the scale becomes legible.

The rush is also a mirror held up to the country’s recent history. The generation that made the migration possible, the ones who left the villages and small towns two or three decades ago, are now often the ones going home to parents who are old, or the ones whose children are the travellers. The composition of the crowd changes a little each year, and the change is a quiet record of how the country has moved: which regions emptied, which cities grew, which industries rose and fell. Every ticket is a biography in miniature.

None of this is without cost, and the essayist’s temptation to romanticise the rush should be resisted. The migration exists because of separation; it is the price of a system that sends people away from home for work, and the weeks of frantic travel are the bill for the other fifty. The buses are crowded, the tickets are expensive, the weather is often bad, and the whole exercise is, for many, exhausting rather than joyful. But the exhaustion is chosen, year after year, by people who could, in principle, stay put. That is the part worth remembering: the migration is not an obligation imposed by the state but a decision repeated by millions, each one deciding that the journey is worth it, that home is still where the year should begin.

This post is licensed under CC BY 4.0 by the author.